Edradour are another Highland distillery making their first appearance here on Pete Drinks. It’s Scotland’s smallest distillery, producing just 12 casks a week. Everything is matured for at least 10 years, and then often finished in a bewildering array of wood.

A quick search reveals bottles finished in Chardonnay, Moscatel, Burgundy, Bordeaux, Sauternes, Port, Madeira… the list seems endless.

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This particular offering looks to be 11 years old (based on some furious googling on the finish and 57.2% ABV – there’s no actual age statement on the bottle), finished in Chateauneuf-du-Pape barrels and bottled at cask strength.

Being cask strength, the most dominant aspect of the nose is the alcohol. Underneath that is marzipan, green wood and a distinctly vinous quality from the Chateauneuf-du-Pape.

Water cuts back the alcohol somewhat, and brings those fruity wine notes much more to the fore.

It’s very different in the mouth; rich, berry-like fruit up front and the alcohol warming but not overwhelming. Almost after you’ve swallowed, a slightly smoky spiced note, almost sour, starts to grow and grow, packing an impressive punch in the finish.

Adding water mellows it out; the fruit becomes lighter, sweeter – strawberries, perhaps – and that spice-heavy tail is reduced in intensity although, if anything, lingers more. That sour edge has vanished and it manages to become more approachable without losing it’s innate complexity.

The Chateauneuf-du-Pape finish has clearly played a significant role, and makes me very curious to explore their other finishes.

 

On the journey back from our Cornwall tour back in June, we paused overnight in Bristol. While there we were lucky enough to catch up with Brett Ellis, of the newly formed Wild Beer Company.

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They’re so new, in fact, that the brewery is still in the process of being built a little down the road, in Shepton Mallet. Instead of meeting in a building site, the nice folks at Corks of Cotham let us borrow a corner of their shop for a chat and some tasting.

For a new brewery, they’re thinking big – the brewery will start with a capacity of 15BBL; way bigger than most breweries start out with. “A lot of startups are 5 barrel but hit a wall within a year or so then need to switch to 10 or 15 barrel.” explains Brett. “We feel we can hit the ground running so would hit that wall in a few months.”

All that production will be going into bottles rather than casks or kegs. Partly this is for reasons of taste; Brett explains that “we believe the beers really shine when they are slightly more chilled than in a cask and slightly more carbonated”. But it’s pragmatic too; most of the competition is in casks.

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It’s clear that Wild Beer are going for the high end of the market; they intend to have their bottles silk screen printed with that wonderful “is it one stag or two” logo.

Brett’s training as a chef shows through with some of the more adventurous recipes; they’ve experimented with worcester berries, currants and elderberries, along with plans to play with roast yams and pumpkin.

Not satisfied with unusual ingredients, they also have big plans for ageing a lot of their products in barrels – red wine and whisky – and lots of, well I would say dry hopping but it’s not just hops; there’s bourbon oak chips, elderberries and who knows what else.

Personally I’m always a little wary of throwing strange ingredients in for the sake of it, but it certainly gives them a distinct angle in a crowded market. And the trial beers we got to taste reveal a real talent for keeping the balance of flavours just right.

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It’s not all weird and wacky though; the Red Ale is a relatively traditional beer with some nice malt flavours coming through – although with plenty of US hops in there too perhaps it’s only “traditional” to London tastebuds.

There’s also a lot of interest in the lambic flavours; for the new brewery they have “purchased an open square fermenter like the ones they use in Belgium for spontaneous wild fermentation”. Brettanomyces features in many of their beers, again bringing that more unconventional, sour tang to the party.

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To judge from our tasting, if this is a style of beer that appeals to you then Wild Beer could turn out to be a very special brewery – especially when you consider that these were all still in development.

I’m looking forward to seeing how their range shapes up when they finally open this autumn.

Uncredited photos are courtesy of Matt Gibson, an absurdly talented Bristolian.

Our visit with the Wild Beer Company was part of a week-long holiday in South West England, courtesy of The Food Travel Company. They are a new company offering specialist trips for food and drink lovers, with group departures and customised itineraries available.

 

I think this is the first appearance of The Dalmore Distillery here; based a little north of Inverness, it produces a range of Highland malts that for some reason I don’t seem to come across very often (or more likely, I’m too easily distracted by whiskies from the islands!)

The Dalmore The Mackenzie

This is their Mackenzie expression. Actually, strictly speaking this should be called “The Dalmore The Mackenzie” but that way lies madness. What is it with the whisky industry and their obsession with the definite article?

I digress. Named to honour the Clan Mackenzie, who owned the distillery for the best part of a century in it’s early days, this is from their higher end “most exclusive” collection.

The nose is filled with rich, dark prunes with some lurking orange peel. There’s also some oak wood tones, and all the aromas are nicely tied together with a pleasantly gentle alcohol heat – the Mackenzie is bottled at a relatively low 46% ABV.

Watered, the darker fruit is less pronounced but there’s still lots of citrus peel, playing with an emphasised wood. Curiously, the alcohol doesn’t feel affected at all.

On the tongue, once again there is plenty of sweet dark fruit giving you a surprisingly full body. After that a big spice hit comes through, and underneath both is a sharper almost lemon tang. That peppery spice gives you a surprisingly lingering finish.

With water, everything is preserved but the sting is taken out of that spice; the finish is shorter and the whole dram rounded off and smoothed out.

Very different with and without water, but delicious both ways. I’ll definitely be seeking out other bottles from The Dalmore in the future.

Thanks to The Dalmore for the sample.

 

While there is always a lot of variety in my whisky cupboard, there are some staples that I always try to make sure are in there. Lagavulin is definitely one of those distilleries that is always represented. As well as being a great Islay distillery, it’s also where my whisky drinking life started so I will always have a soft spot for it.

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Here we have their 16 Year Old expression – a wonderful, rich golden colour in the glass that just cries out to be enjoyed.

The nose is quite light on the smoke, considering it’s an Islay whisky. Sweet, pale honey notes with a distinct whiff of sea spray and enough alcohol to wake up your taste buds without masking everything.

Watered, the smoke is much more prominent; the sweetness fades but the sea is still lurking underneath.

The Islay character makes itself felt much more in the mouth; smouldering peat on the tip of your tongue, with just a hint of honey putting in an appearance and the fire fades more into smoke. There’s a surprisingly tannic dry finish right at the very end, which just makes you reach for another sip.

With water, that initial fire is quelled and the smoke is right there at the front. The balance of honey and smoke is more consistent throughout the drink, and the finish is significantly less dry – overall it’s easier drinking, but has lost some of it’s complex character.

It’s probably worth mentioning that this bottle has been open in the cupboard for some time; I’ve heard that this can reduce the smoke a touch, and in the name of Science I shall, of course, have to replace this bottle with a fresh one in the near future!

Master of Malt sells Lagavulin 16 Year Old for £43.95 at the time of writing.

 
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I tend to bottle all my homebrew beer, for the simple reason that as the only member of our household that actually likes beer it’s hard to drink an entire cask before the beer goes off. The massive downside of this is that bottling beer is by far the most tedious part of brewing.

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Until now I’ve made do with a bit of syphon tubing with an inline tap which is ok, but bottling often becomes an operation that requires at least three hands. Sadly nature only saw fit to provide me with two, which is annoying.

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So my most recent investment is this wonderful bottling stick which is simply a rigid plastic tube with a push valve on the end. Push the end down on the bottom of the bottle and the beer flows – lift it up and it stops. Suddenly I can bottle with two hands, and spill a lot less beer.

Of course, I still need to pay attention to the beer level in the bottles. My next plan is to bodge something together to automatically stop the flow when the top of the bottle is reached, and my bottling days will be less tedious – although sterilising 40 bottles will still be a painful experience.

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Once they’re filled, of course, you have to make your bottles look beautiful. Having finally obtained a full set of bottles without old labels still attached – Bath Ales, I love your bottles but your labels appear to use some sort of strong nuclear force to attach themselves – and that can only mean one thing. I need some labels.

Fortunately, I was wise enough to marry someone with some artistic ability (she made me my lovely logo, after all!) and so I now have a brand.

Next I need a brewery…

 

This week’s whisky is something of a surprise. It’s from South Africa – for some reason, not a country I ever thought of as a whisky producer.

It turns out that The James Sedgewick Distillery has been going since 1886, although initially it was built to produce brandy. It’s only been used for whisky production for the last 20 years or so.

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This is the Three Ships 10 Year Old, the first South African single malt to ever be released – their previous productions having all been blends rather than single malts.

It’s a light, almost golden colour with definite honey hint to the nose. There are also some grapefruit aromas lurking behind the alcohol. Water allows much more of those green, fresh fruit smells to shine through.

It’s a similar story on tasting; light and fresh tasting with a nice sweetness, smooth with a very long peppery finish. The addition of water allows the whisky to keep that light, fresh feeling but cuts back on the finish, making it a delicious ‘drinking’ whisky – definitely one for summer evenings rather than winter nights.

I wasn’t sure what to expect of a whisky from such an unexpected country; I’m pleased to say that it’s a sweet, smooth whisky that I’d be very happy to keep in the cupboard.

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